“Well, the situation is pretty dire here. Our recommendation is all of our clients to put everything they’ve got into canned food and shotguns.” This piece of wise counsel comes from the Brain Gremlin – a genetically modified, talking, bespectacled member of the oozy monster mob that overruns Manhattan’s ultra-modern Clamp Tower skyscraper in filmmaker Joe Dante’s madcap sequel Gremlins 2: The New Batch. On the surface, it’s nothing more than an portfolio pointer from one monster to another. But, in a strange manner, it’s also pretty solid existential counsel. Truly, hear me out.
When life takes a turn for the worse, the most counterproductive action you can do is view events with undue solemnity. The Brain Gremlin understands this. Indeed, most of the toothy monsters that inhabit Dante’s chaotic 1990 feature (possibly his finest) possess the same knowing, self-referential comic sensibility regarding the hazy boundary separating everyday life and pure pandemonium. It’s one element of Gremlins 2: The New Batch that ensures my return – and with the passage of time, it’s the theme that strikes the deepest chord.
Of course, my connection with this movie didn’t start on such an introspective level. In my youth, we only had a few well-worn videocassettes at home. Included within that collection were Gremlins and its second chapter, the latter housed in a chunky ex-rental box almost certainly acquired from an off-brand video shop and boasting grimacing beasts on its knackered cover. I was immediately enamoured and these films quickly proceeded embedding themselves inside my small, malleable brain. After that point, they became an practically routine part of my youthful watching schedule.
Dante’s original usually receives all the plaudits, thanks largely to its reputation as a semi-scary seasonal fave – and let me be clear, I’ve watched Gremlins an incalculable number of times. That said, its successor rarely gets the same level of elevated esteem, which feels unjust. As a kid, I’d always seize the chance to watch Gremlins 2. During long summer holidays, I’d lock myself inside and pop it in. When I obtained my very own TV-VHS combo unit, it stayed in constant rotation in my bedroom. With repetition, it became deeply rooted in my mental framework. If my parents detected this preoccupation, they gave no indication of concern.
As I matured, new understandings enriched repeat viewings, amplifying the pleasure of watching small emerald creatures joyously wreck a New York high-rise. I learned the ahead-of-its-time real estate tycoon and Clamp Tower owner, Daniel Clamp (John Glover), was based squarely upon the eventual commander-in-chief Donald Trump, with his red-headed employee Marla (Haviland Morris) echoing his former spouse Marla Maples. Fortunately, Clamp possesses greater compassion than his genuine article inspiration.
The “apocalyptic” video Clamp plays during maximum monster mayhem? I discovered it was inspired by a actual “Doomsday” video commissioned by the CNN boss Ted Turner in case the world really ended. I noticed how Dante went out of his way to film different iterations of a meta sequence where Gremlins take over the actual feature in progress. A version for theaters, a separate one for tape and broadcast, each offering a winking bit of meta pop-culture magic prior to the concept being mainstream.
While it was creature designer Rick Baker’s gloriously nasty-looking creatures that drew my gaze as a child, this hidden treasure maintained my fascination as an adult. In time, I even conversed with Dante about it myself and he had no hesitation revealing to me he made the movie with the specific aim of ridiculing those who loved its absurd-yet-genuine predecessor and craved further installments. “We were going to make fun of the fact you came to see it,” he happily revealed. This Looney Tunes-esque defiance and resolve to not take his sequel as gravely as his Warner Bros bosses evidently expected, only made me love it even more.
When I experienced a unexpected loss in the family not long ago, I was taken aback to discover that, during my heightest mourning, all I desired to do was sit and watch Gremlins 2: The New Batch. Weird, right? Perhaps not. The comforting familiarity it provided was essential to dilute my mind’s grief morass – but the insights it had imparted to me as an adult were similarly beneficial.
Like Gremlins running amok in a genetics laboratory, there’s particular aspects in life you just can’t control. Dante knows it. The Brain Gremlin knows it too. Sometimes, you have to emulate them: accept the turmoil, commit your entire being into tinned provisions and hunting rifles and try not to view the world with undue solemnity.
It’s robust worldly wisdom from a highly unexpected fountain – and it’s the reason Gremlins 2: The New Batch will forever remain my go-to cinematic solace.
Rashid Al-Mansoori is a seasoned journalist with over a decade of experience covering geopolitical events and economic trends across the Arab world.